Monday, March 25, 2019
Comparing Choice in One Hundred Years of Solitude and Thousand Cranes :: comparison compare contrast essays
Choice in One Hundred historic period of sex segregation and Thousand Cranes The issue of option arises when comparing Gabriel Marquezs One Hundred Years of Solitude and Yasunari Kawabatas Thousand Cranes. The custody in each novel forever seem to be repeat the lives of their male ancestors. These cycles bump that man as a being, just corresponding the mythological heros, has no true choice in the ultimate path his life pull up stakes take. The male characters personal develop handst is overshadowed by the indistinguishability of their ancestors. Since the beginning of time, man has clung to the notion that there exists some external deplume that determines his destiny. In Grecian times, the epic poet Hesoid wrote of a triumvirate of mythological Fates that supposedly gave to men at birth evil and good to have. In opposite words, these three granted man his destiny. Clotho spun the thread of life, Lacheis distributed the lots, and Atropos with his abhorred shears would s werve the thread at death(Hamilton-43). All efforts to avoid the Fates were in vain. In every case their sentence would eventually be delivered. And it appears that once the Fates voting had been cast, the characters in Greek myths had no chance for redemption. One must oppugn if man, uniform the Greeks portrayed, has any real choice in determining how he lives. That issue of choice arises when comparing Gabriel Marquezs One Hundred Years of Solitude and Yasunari Kawabatas Thousand Cranes. The men in Yasunari Kawabatas Thousand Cranes and Gabriel Garcia Marquezs One Hundred Years of Solitude forever seem to be repeating the lives of their male ancestors. These cycles reveal that man as a being, just like the mythological heros, has no true choice in the ultimate course his life will take. The male characters personal development is overshadowed by the identity of their ancestors. Clotho, it appears, has recycled some of her spin thread. The new male generations, superficially, a re perceived to be woven of like design. Kikuji Mitani and the male Buendias face communities that remember their ancestors. As a result, their unique communities unwittingly compare the actions of the sons to their respective fathers, having recognized the apparent similarities. Eclipsed by his fathers aura, within his village, Kikujis identity has no separate definition. To most townsfolk, like those at Chikakos tea ceremony, Kikuji exists as Old Mr. Mitanis son(16). He and his father are therefore viewed as essentially the same person.
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